Learning Resources

This Beautiful, Ridiculous City

A Graphic Memoir by Kay Sohini 

Key Vocabulary

Acquaintance: a person one knows slightly, but who is not a close friend

American Dream: the ideal by which equality of opportunity is available to any American, allowing the highest aspirations and goals to be achieved

Ancestral: something that has been around so long that it once belonged to your ancestors, the family members who lived before your grandparents were born

Architecture: the art or practice of designing and constructing buildings

Barriers: a fence or other obstacle that prevents movement or access

Bastion: an institution, place, or person strongly defending or upholding particular principles, attitudes, or activities

Billionaire’s Row: a collection of very tall, luxury residential skyscrapers and the surrounding neighborhood near the southern end of Central Park

Capital: wealth in the form of money or other assets owned by a person or organization

Consumerism: the belief that buying and consuming goods and services is good for the economy and that people should prioritize acquiring material possessions

Cuisine: food cooked in a certain way

Demographics: statistical data relating to the population and particular groups within it

Disproportionate: too large or too small in comparison with something else

Discriminatory: making or showing an unjust or prejudicial distinction between different categories of people, especially on the grounds of ethnicity, sex, age, or disability

Gentrification: the process whereby the character of a poor urban area is changed by wealthier people moving in, improving housing, and attracting new businesses, typically displacing current inhabitants in the process

Graphic memoir: a form of non-fiction graphic novel that uses visual elements and storytelling techniques to narrate a personal story or memoir, often focusing on a specific period or theme in the author's life

Gravitating: move toward or be attracted to a place, person, or thing

Immigrant: a person who comes to live permanently in a foreign country

Immigration: the action of coming to live permanently in a foreign country

Incorrigible: (of a person or their tendencies) not able to be corrected, improved, or reformed

Inter-generational: relating to, involving, or affecting several generations

Intimation: an indication or hint

Luxurious: extremely comfortable, elegant, or enjoyable, especially in a way that involves great expense

Meager: (of something provided or available) lacking in quantity or quality

Melting pot: a place where different peoples, styles, theories, etc. are mixed together.

Metamorphosed: change into a completely different form

Modest means: to have few resources (not much money)

Nostalgia: a sentimental longing or wistful affection for the past, typically for a period or place with happy personal associations

Odyssey: a long and eventful or adventurous journey or experience

Peculiar: strange or odd; unusual

Policies: a course or principle of action adopted or proposed by a government, party, business, or individual

Precarious: not securely held or in position; dangerously likely to fall or collapse

Progressive: (of a group, person, or idea) implementing social reform or new, liberal ideas

Rampant: (especially of something unwelcome or unpleasant) flourishing or spreading unchecked

Redlining: policies concentrated people of color in neighborhoods deprived of investment and prevented them from accessing loans and buying property, while white residents were provided more resources and opportunities

Reminiscent: tending to remind one of something

Residents: a person who lives somewhere permanently or on a long-term basis

Rural:  areas, which are not towns or cities or suburbs, often farming or agricultural areas

Skyline: an outline of land and buildings defined against the sky

Skyscraper: a very tall building of many stories

Social Vulnerability Index: a tool used to assess the susceptibility of communities to the adverse effects of natural and man-made disasters

Suburban - an area outside of a city that is primarily residential

Tourist trap: a place, often a business or attraction, that exploits tourists by offering overpriced or low-quality goods and services, typically in areas with high tourist traffic

Ubiquitous: present, appearing, or found everywhere

Urban:  related to a city or large town, usually more densely populated

Vaulted ceilings: a ceiling design where the ceiling angles up towards the roof, extending higher than a standard flat ceiling, often creating a sense of openness and grandeur

Read for Understanding

Kay Sohini is a researcher, writer, and comics writer/illustrator. This Beautiful, Ridiculous City is a graphic memoir detailing significant moments of her life in India and mostly, in New York City. Using literary references, New York City landmarks, and poetic refrains, she tells her story of coming to New York and building a life for herself amid hardships and the personal quest to find a place to belong. Her story deals with important themes, such as immigration, searching for the “American Dream,” changing landscapes, and gentrification. By studying a variety of maps, looking at shifting demographics, and significant landmarks, her story unfolds throughout the beautiful, ridiculous city that is New York. 

Engage:

How do images tell a story of immigration and belonging? 

In This Beautiful, Ridiculous City, Kay Sohini tells her story of immigration from India, exploration of New York City, and creating a new home in a new country through the use of maps, landmarks, and travels throughout the different boroughs of New York City. As you examine the following images, consider how the graphics/illustrations add to your understanding of her personal narrative, or graphic memoir

Directions: Make Observations about these maps/images – 

  • What do you see? 
  • What observations can you make?
  • What information does the map provide?
  • What information can you gather from the images and text?
  • Why do you think the author included these pages in her memoir? 

Sentence Frames:

  • I see / notice  _____________. 
  • I can observe that ______________.
  • The map tells me that ___________________. 
  • The images and text let me know that _______________. 
  • The images and text tell me about ________________. 
  • I think the author included these pages in her memoir to show _______________. 

Now consider this other image – you may wish to take a closer look here.

Directions: Make Observations about this graph: 

  • What do you see? 
  • What observations can you make?
  • What information does this graph provide?
  • What information can you gather from the images and text?
  • Why do you think the author included this page in her memoir? 

Sentence Frames:

  • I can see / notice ____________. 
  • I can observe that _______________. 
  • This graph tells me that ______________. 
  • The images and text tell me about ________________. 
  • I think the author included this page in her memoir to show _______________. 

Once you have finished jotting your observations, use the Give One/Get One Protocol to exchange ideas with a classmate (or two) and record their answer below using the graphic organizer provided.

Your teacher may ask you to record your answers on an exit ticket. 


Explore:

How do maps help us make connections between local communities and people around the world? 

Read through the following excerpt from This Beautiful, Ridiculous City. After reading, discuss with a partner how the author uses maps, images, and New York City landmarks to illustrate her explorations of the city she now calls home. 

Then, take some time to explore the maps of  Foreign-Born Population and Not Even Past: Social Vulnerability & the Legacy of Redlining from American Panorama, a digital atlas from the University of Richmond Digital Scholarship Lab. Look for patterns in immigration to New York from the past or present. 

The Foreign-Born Population maps illustrate how immigration has always been a part of American history, with a significant portion of people being born in other countries around the world and settling within the United States.

In the “Not Even Past” maps, examine social vulnerability and how redlining policies have influenced and affected where people live, as well as the conditions in which they live. To understand the maps, go to the link below and scroll down for "how to use this site" and what you will see.

As you look through This Beautiful, Ridiculous City compare it to maps of Brooklyn, Manhattan, or other boroughs in New York City, as shared on the map. 

Stop & Think: 

  • What do you notice? 
  • What information does each map provide?
  • What does this tell you about immigration patterns over time? 

Take notes using the S-I-T Strategy with the information you are most interested in exploring.

(Your teacher may provide a paper copy, or you may make a copy of the Google Docs version using this link to record your responses.) 

 Consider the question: 

  • How do maps help us make connections between local communities and people around the world? Explain. 

Your teacher may ask you to record your answers on an exit ticket.


Explain:

How do maps and images work together to build a personal narrative? 

Use the Three Reads Protocol while reading an excerpt from This Beautiful, Ridiculous City. The protocol involves multiple readings (and re-readings) of the text to ensure you will gain a clear understanding of the message, a close analysis of the speaker’s choice of words and phrases, and the making of connections between the author’s story and how maps and images work together to build her personal narrative. You may use this Three Reads template to make a digital copy, or use a printed copy provided by your teacher.

First read - Comprehension: Read the excerpt with a partner or in a small group as directed by your teacher. Read the excerpt all the way through, stopping to clarify vocabulary and big ideas. After this first read, discuss the central idea or big ideas within Kay Sohini’s narrative. 

Questions to consider:

  • What is this section mostly about?
  • What are some of the “big ideas” the author brings up?
  • What do you think the author’s message to her audience is? 

Second Read - Analysis: Read the excerpt a second time, either independently or with a partner, taking into account how the images influence the narrative and any parts that stand out. 

Questions to consider:

  • What words/phrases or images stand out to you?
  1. Are they surprising? Shocking? 
  2. Do you agree or disagree with them?
  3. Do you feel they add to the story? 
  4. Do you notice any themes/messages or repetition within these pages?
  • Are these words/phrases or images that you feel are important to conveying the author’s message to her audience? Why or why not?

Third Read - Connecting to Context: Read through the excerpt a third time, and consider the theme of immigration or the idea of “The American Dream,” and how it might influence the author’s point of view. Discuss your ideas within a small group. 

Questions to consider: 

  • How does the author describe her explorations throughout the city?
  • What observations does she make about people and places in New York?
  • Considering the theme of immigration or “The American Dream,” how do you feel this influences the author’s point of view? 

Your teacher may ask you to record your answers on an exit ticket. 



Elaborate:

How do policies (such as redlining) influence where different cultures settle within a community? 

Considering your reading and exploration of maps, take a second look at this image from the text:

Discuss within a small group:

  • What does the 2023 report by the Attorney General of New York reveal about people of color and homeownership?
  • How have re-zoning laws affected people of color?
  • How do you think the legacy of redlining has influenced residents in New York?
  • How do you feel about these laws and policies? Explain your thinking. 

Sentence Frames: (complete one or more of these!)

  • The 2023 report by the attorney general of New York reveals that _____________________.
  • Re-zoning laws affected people of color because _____________________.
  • I think that the legacy of redlining has influenced residents in New York by ____________________. 
  • I feel that these laws and policies ____________ because ____________. 

Your teacher may ask you to record your answers on an exit ticket. 



Extend:

What makes urban environments so enticing to immigrants and foreign-born people? 

Throughout history, immigrants have been drawn to the “big city” in places like New York. What makes urban environments so enticing to people from around the world?

Read this Bunk excerpt, “How Urban Density Can Make Our Neighborhoods Better.”

Select the “View Connections” button to explore more excerpts as connected in Bunk. You may choose different icons as you explore. Note the associated tags that connect each excerpt to another. Explore one or more tags.

Consider the following:

  • What role do urban communities play in welcoming immigrants and assimilating cultures? 
  • Are there any cultural communities within urban cities that you would like to learn more about?

Explore some of the Bunk connections.

To read an additional graphic immigration story by Kay Sohini, you might want to check out the New York City Civics for All comic, “Sensational Stories #1 - Real Life Heroes,” about Sana Amanat and Kalpana Chawla.

Your teacher may ask you to record your answers on an exit ticket. 


Citations 

Facing History and Ourselves. “What is the Give One, Get One Strategy?” February 20, 2015. Accessed March 23, 2025. https://www.facinghistory.org/resource-library/give-one-get-one 

Foreign-Born Population Maps. DSL.Richmond.Edu. Accessed April 2, 2025. https://dsl.richmond.edu/panorama/foreignborn/#decade=1990&county=G3600610 

Holleran, Max. “How Urban Density Can Make Our Neighborhoods Better.” BunkHistory.org. December 9, 2021. Accessed April 2, 2025. https://www.bunkhistory.org/resources/how-urban-density-can-make-our-neighbourhoods-better-aeon-essays 

Keller, Keeley, “10 Reasons You Should Use Sentence Frames In Your Classroom.” TeachingChannel.com. September 9, 2022. Accessed March 23, 2025. https://www.teachingchannel.com/k12-hub/blog/10-reasons-you-should-use-sentence-frames-in-your-classroom/#:~:text=1)

New Visions for Public Schools. Three Reads Protocol for Social Studies. Accessed March 25, 2025. https://curriculum.newvisions.org/social-studies/resources/resource/instructional-routine-three-reads-protocol/ 

Not Even Past: Social Vulnerability and the Legacy of Redlining. DSL.Richmond.Edu. Accessed April 2, 2025. https://dsl.richmond.edu/socialvulnerability/ 

PBWorks.com. Teaching Reading and Language. “Literary Devices & Terms.” Accessed March 25, 2025. https://teachingreadingandla.pbworks.com/f/Literary+Devices.pdf 

“S-I-T: Surprising, Interesting, Troubling.” Facing History & Ourselves. Accessed June 17, 2024. https://www.facinghistory.org/resource-library/s-i-t-surprising-interesting-troubling

Sohini, Kay. “Sensational Stories #1 - Real Life Heroes.” NYC Civics For All - Inforhub.nyced.org. Accessed April 3, 2025. https://www.weteachnyc.org/media2016/filer_public/68/13/681366d4-a8ec-464a-ae59-5ee6aec09473/sensational_stories_1_real_life_heroes_v5_web.pdf

Sohini, Kay. This Beautiful, Ridiculous City. New York: Penguin Random House, 2025. https://www.penguinrandomhouse.com/books/753097/this-beautiful-ridiculous-city-by-kay-sohini/ 

The Teacher Toolkit, “Exit Ticket.” Accessed March 23, 2025. https://www.theteachertoolkit.com/index.php/tool/exit-ticket


This work by New American History is licensed under a Attribution-NonCommercial-ShareAlike 4.0 (CC BY-NC-SA 4.0) International License. Permissions beyond the scope of this license may be available at newamericanhistory.org.

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